The season also marks 30 years since the New York company relocated to Chicago, and a decade with Christopher Wheeldon’s “The Nutcracker.”
This year’s theme is “B-yond Borders,” aimed at showcasing kinship between hip hop and social dance forms abroad.
The excellent Angela Morris stars as a traumatized young woman who believes she has a guardian angel, wings and all.
Playwright Omer Abbas Salem’s latest world premiere debates questions of trust in a university’s fine arts program.
Clue, or Cluedo in the country of its birth, is one of the best board games of all time. Colonel Mustard, Mrs. Peacock and Professor Plum have been brandishing their candlesticks, lead piping and other lethal weapons since the late 1940s. That’s when a British chap named Anthony Ernest Pratt rightly figured there would be […]
The revival of Ohad Naharin’s “Black Milk” after more than 20 years isn’t a step backward. Rather, artistic director Linda-Denise Fisher-Harrell projects confidence in the 47-year-old institution, as if to say, “Yeah, we still do that, too.”
You’ll see the whole story coming from the first minute you enter the forest in this new musical by Tina Landau and Kate Diaz.
On Feb. 13, 1996, the rock musical “Rent,” by Jonathan Larson, premiered off-Broadway less than three weeks after Larson’s death.
Many of the best moments in this new production of Sam Shepard’s play are thanks to the gutsy Caroline Neff as May.
The biographical jukebox musical about the songwriter gets a new outing at Drury Lane, and Samantha Gershman’s performance is worth seeing.