Colman Domingo has a commanding physical presence, an expressive face and soulful eyes. But his most limber and powerful tool is his voice. It can go low in a bone-rattling baritone, like in his Nigerian-accented pimp in Janicza Bravo’s “Zola.” Or it can rise to the warm, erudite rhythm of civil rights leader Bayard Rustin, in “Rustin.”
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