K-Pop meets cartoons: TXT launches ‘Ppulbatu’ character pop-up experience

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In Los Angeles and Chicago, a new retail experience is drawing attention from K-pop fans. Tomorrow X Together (TXT), a popular South Korean five-member boy group, has launched their first U.S. pop-up stores featuring their newly created character collective, “Ppulbatu.” This move is a significant step in the group’s international marketing strategy and reflects larger trends in the K-pop industry.

TXT and the creation of Ppulbatu

TXT debuted in 2019 under HYBE Entertainment and has since gained a substantial following. Their recent venture, the creation of Ppulbatu, marks their entry into character merchandise. Ppulbatu, derived from the Korean word for “horn” and the group’s name, consists of five characters, each representing a member of TXT.

A spokesperson for TXT explains, “The Ppulbatu characters are designed to reflect the personalities of our members. This project aims to offer fans a new way to engage with TXT’s artistry.” Each character incorporates traits and interests of its corresponding member, such as gaming preferences or musical inclinations.

The pop-up store experience

The pop-up stores, located at 7620 Melrose Ave. in Los Angeles and 3009 N. Broadway St. in Chicago, offer merchandise and interactive experiences centered around the Ppulbatu characters. Visitors can purchase limited-edition items and participate in augmented reality (AR) activities that bring the characters to life via smartphone applications.

“The AR feature allows fans to interact with digital versions of the Ppulbatu characters,” the spokesperson notes. “It explores how technology can enhance fan experiences.”

Implications for fan engagement

For TXT and their label, HYBE Entertainment, the Ppulbatu project represents an attempt to diversify fan engagement strategies. The group aims to provide additional avenues for fan interaction outside of their music and performances by creating character-based content and merchandise.

The success of this initiative remains to be seen, but it reflects the evolving nature of artist-fan relationships in the K-pop industry. As groups like TXT explore new forms of content creation and merchandise, the boundaries between music, technology, and consumer products in the K-pop sphere continue to blur.

As the pop-up stores open, they offer a glimpse into the potential future of K-pop marketing and fan engagement strategies. The TXT spokesperson concludes, “We’re interested to see how fans respond to Ppulbatu and how these characters might shape our future projects.”


The news and editorial staffs of the Chicago Tribune had no role in this post’s preparation.

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